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May 2013
Don't Wait for Tomorrow to See
Not Today
In a summer of bloated blockbusters, this is one of the few movies everyone should see because of the message it sends: slavery is real.
Ryan Duncan
May 29, 2013
Kings of Summer
is No
Moonrise Kingdom
Never quite finds its footing—emotionally, comedically or otherwise. It's simply too ridiculous to be taken seriously.
Christa Banister
May 29, 2013
After Earth
Points to Brighter Future for Shyamalan
At heart, a father-son story in which a young man is called upon to put dad's lessons into action. Not complex, but largely satisfying.
Christian Hamaker
May 29, 2013
Clever 'Gotcha' Not Enough to See
Now You See Me
Plays like a movie equivalent of a CBS procedural: high in concept, production artifice, and plot holes, while low in character depth.
Jeffrey Huston
May 29, 2013
Epic
Never Quite Lives Up to Its Name
With such a title, the bar is immediately set too high for what’s a fairly conventional good vs. evil battle with spectacular visuals.
Christa Banister
May 23, 2013
Hangover III
: Hang It Up Already
Less a disaster than a standard disappointment, the biggest of which is Bradley Cooper, who phones it in post-Silver Linings Playbook.
Christian Hamaker
May 23, 2013
Sixth Time Has Charm in
Fast & Furious
Series
For those who like to celebrate with a good action film, this is the place to start: humor, tension, non-stop action and more.
Susan Ellingburg
May 23, 2013
Ironically,
Into Darkness
is Too Light on Meaningful Ideas
There's enough to enjoy here, but this new Star Trek installment continues to show unfulfilled promise and a lack of strong themes.
Christian Hamaker
May 13, 2013
Leo & Luhrmann Make
The Great Gatsby
Matter
Luhrmann captures the opulent decor and backs it with a hip-hop soundtrack that should feel out of place but works surprisingly well.
Christian Hamaker
May 07, 2013
Sexual Content, Thin Story Mar Otherwise Enjoyable
Peeples
If an abundance of sexual innuendo, sexual situations, and broad slapstick comedy are your idea of a good time, Peeples is for you.
Susan Ellingburg
May 07, 2013
The Reluctant Fundamentalist
is Fascinating but Flawed
Tense, well-acted and intriguing, but fails to complete the picture of a complicated man or a lesson about tolerance.
Christa Banister
January 18, 2002
Firth, Blunt Wasted in Clichéd
Arthur Newman
It's odd to say about an independent film that there’s little originality or authenticity in this slow, self-conscious, offbeat story.
Christa Banister
April 30, 2013
Upstream Color
is Cryptic, Dreamlike Art
Shane Carruth has made a work of art with his second film. I don't understand it, but I don't care, because I'm so viscerally moved.
Jeffrey Huston
April 30, 2013
Heart, Humor Converge in
Iron Man
's Best Chapter Yet
While some comic book movies become lazy and predictable, genuine surprises and character development keep Iron Man 3 from growing stale.
Christa Banister
April 30, 2013
April 2013
Love Theme Emerges Clear as
Mud
Director Jeff Nichols effectively blends genres, numerous subplots and character dynamics – and does so with emotional weight and power.
Jeffrey Huston
April 24, 2013
Don't Crash
The Big Wedding
(it Crashes Just Fine on Its Own)
It’s called
The Big Wedding
but it’s really not about a wedding. It’s about sex (and some very unhappy people).
Susan Ellingburg
April 05, 2002
Pain & Gain
: Lots of the First, None of the Second
Michael Bay's version of this true-crime story crashes and burns because, like Transformers, there’s no discernible human connection.
Christa Banister
March 24, 2003
Like Redford,
The Company You Keep
Harkens to an Earlier Era
A captured fugitive says, "We made mistakes. But we were right." That’s the film’s view in a nutshell: sort of a Sympathy For Radicals.
Jeffrey Huston
June 13, 2002
Home Run
Advances Christian Filmmaking a Base or Two
Pretty much a two-hour commercial for Celebrate Recovery, but as promotional videos go it’s a surprisingly good and realistic one.
Susan Ellingburg
March 24, 2003
Derivative
Oblivion
Moves Too Slowly
For all its star power, futuristic talk and sci-fi imagery, the film is ponderous, mundane and ultimately forgettable.
Christian Hamaker
March 21, 2003
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