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Movie Reviews Archives
Wanderlust
Takes an Uncomfortable Journey
The laughs in Wanderlust are largely in the service of bawdy, R-rated material that makes this film difficult to recommend.
Love Is a Losing Battle in
This Means War
Unfortunately, no amount of hair flips and charm from the normally crowd-pleasing Reese Witherspoon can save This Means War.
Secret World of Arrietty
Is a Small Wonder
Small people with big hopes make up The Secret Life of Arrietty. Give it a chance, and it will enhance your sense of wonder.
Coriolanus
Could Make New Fans for the Bard
Directed by Ralph Fiennes, Coriolanus is a gripping, cinematic take on one of Shakespeare’s less frequently performed plays.
There's Little Joy in the
Journey 2
Based on Jules Verne’s novels, one can’t help wondering why the filmmakers didn’t take a few more cues from the author himself.
Safe House
Might Leave You Feeling Queasy
Shaky-camera syndrome has taken hold of today’s action movies. And Safe House, directed by Daniel Espinosa, is no different.
Love Binds Ever Sweetly in
The Vow
Being everything a good love story should be, this sweetheart of a movie released in theaters just in time for Valentine’s Day.
W.E.
Looks Good but Ends Up Empty
Madonna and co-writer Alex Keshishian want us to care deeply, but the stakes laid out early in W.E. are poorly developed.
Disturbing Realism Recorded in
Chronicle
Things go as well as you might expect in this story of teen boys who have overwhelming powers. Which is to say, not well at all.
Big Miracle
Is Hardly a Whale of a Tale
Big Miracle wants to be a whale of a tale with its heart in the right place, but the execution leaves more to be desired.
Daniel Radcliffe Fades in
Black
The Woman in Black, Daniel Radcliffe’s first starring role since the Harry Potter films, offers few moments of genuine fright.
One for the Money
Isn’t Worth Yours
Adapted from a Janet Evanovich novel, One for the Money is every Garden State stereotype strung together by a go-nowhere plot.
A Very Blasé
Albert Nobbs
Isn’t Fooling
A transgender period piece—something you don’t see every day—Albert Nobbs isn’t fooling or shocking anyone, and it never will.
Don't Fall for
Man on a Ledge
Why do you go to the movies? To have a good time? To escape? To forget the worries of the day? If so, skip Man on a Ledge.
Good Intentions Mostly Fall Flat in
Red Tails
As the big-screen debut from Anthony Hemingway, with George Lucas as executive producer, what Red Tails lacks most is gravitas.
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